Book Reviews, Reviewing, Thrillers

The Melody Lingers On by Mary Higgins Clark

Mary Higgins Clark

 

Just reviewed Mary Higgins Clark’s new page turner, due to come out on 23rd June. The Melody Lingers On, reviewed for  the Bookbag here.

 

“(…)Characters are sketched effectively, sometimes according to strangely corporate principles. A sign of a strong moral character is arriving to meetings on time – this is frequently referred to, and lateness is not the only failure. Adams, a man “with a full head of mostly gray hair and an aura of confidence” is “equally dismissive of people who arrived much too early. It was a sign of insecurity, which made him suspicious.” Sometimes the descriptions are nearly clichéd – an academic has a “receding hairline” and “rimless glasses”, as though chosen by the casting director of a Hollywood blockbuster. But it works, and the characters come alive as soon as they appear.

As in most Mary Higgins Clark thrillers, class features heavily and is alluded to in blatant terms. People with “impeccable backgrounds” interact with strong-willed individuals who have made it into highest ranks of society from humbler beginnings. Here, the cast features a countess with uncertain credentials, a self-made millionaire, a grocer’s daughter, a construction worker, the child of a congressman and many, many others.

The references to class would be indelicate, except that no moral judgment is made about characters relative to their background. Rather, human values are what prevail, and the narrative can sometimes show leniency towards a character with dubious ethics but guts and charm. The only unforgivable behaviour is Evil, and in Higgins Clark’s books the baddie can originate from any background. Rather, the setting of high society gives us interesting views of characters who perform, who pretend to be what they are not. In The Melody Lingers on, this impossibility of guessing who is wearing a mask keeps the reader wondering and results in a satisfying and surprising finale.

The Melody Lingers on starts more slowly than other Mary Higgins Clark thrillers but picks up and acquires an unputdownable quality half way through. The sometimes lazy writing is swept away as the vital force of the story keeps the reader glued to the page. Another compulsive read by this maestro of suspense.”

 

 

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